Monthly Archives: February 2017

University of Iowa Puts Special Collections Online

Per the piece: “Through Tumblr, Instagram and other digital platforms, the team uses the grammar of the Internet – memes, GIFs, unboxing videos – to tease out the geeky excitement of the vast number of histoLike all the other generics available in the market today, men can opt for them as they buy viagra italy Check Prices were very cheap and equally effective. If you or your partner denies getting commander cialis physical, you should get expert advice to know the underlying cause. The world wide web is a powerful tool sildenafil super active that many, many individuals are trying for all sorts of conditions and issues. There are many http://aimhousepatong.com/item7086.html levitra prescription of these products available, they work under the same principle. />rical, bespoke items they own and make it available to a global audience.”  This is extraordinarily well put. Expanding outreach in the digital age does not require a totally new approach – just a new vocabulary and an appreciation for a new tone.

http://btn.com/2017/02/19/iowas-special-collections-embeds-its-archives-in-the-digital-space-btn-livebig/#sthash.lD4RtdXe.dpuf

Pulse Massacre Oral History

An important project by Story Corps to document the terrorist attacks in the Pulse club in Orlando last year. It’s great to see cooperation between local radio and a national oral history organization like this – and for such a crucial project requiring such careful documentation.

http://www.wftv.com/news/pulse-shooting/national-oral-history-project-to-record-pulse-stories-1/496755249

Apollo 11 Module Goes on Loan

The Apollo 11 command module will be displayed at the Seattle Museum of Flight, leaving its home at the Smithsonian for the first time in 46 years. An impressive catch, especially for a regional museum! Make sure you check it out, Seattle residents.

http://www.auburn-reporter.com/news/museum-of-flight-chosen-to-exhibit-apollo-11-spacecraft-on-50th-anniversary-of-the-moon-landing/

When Your Museum Is Itself a Historical Object

This article explains the budget problems faced by a rural museum (Camden County has 44,000 people) as it attempts to upgrade its facilities (a 1931 schoolhouse) for state compliance. While using a historic building to house a museum can seem like an efficient and practical decision, it can create a tough question: how do you conduct outreach and expansion on a tight schedule and budget when your building itself is a costly historical object in need of constant preservation efforts and funds? Another interesting element of this discussion is the importance of a rural museum to a small community. While we are used to thinking of a museum as one cultural option among many (and are used to considering the question of how to highlight the museum’s unique role among these options), the current budgeting crisis at the Camden County risks what is one of the few entertainment options available for residents of the county.

 

Creepiest Museum Objects

Valentine’s Day witnessed a fun, spontaneous Twitter exchange of creepy museum objects around the world. This was a great opportunity for outreach beyond core constituencies, and it seemed to engage museum employees and the public alike. The downsides of an exchange like this – the exoticizing of other cultures/the past in general, or the superficiality of the entire notion of a “creepy object, to name a couple – pale in contrast to the enthusiasm it generates among participants.

 

More Great Outreach from the Durham Museum

This is the second terrific project I’ve seen from Omaha’s Durham Museum in the last couple of months. Their staff performed a reenactment of the legendary Rosa Parks bus episode last week for 300 school children. The future of curatorship is in crafting an experience, not just a display: in engaging the empathy of the public for historical figures and their struggles. This project is an outstanding example of how that is done.

Museums of the Internet?

Web nostalgia! Are we really at this point already? Apparently. This article discusses attempts to recreate the web of yesteryear: something that is much more interesting conceptually than it seems at first. Functionally, the only differences between experiencing the web through these nostalgia-oriented programs and experiencing it in the late 1990s are 1) it can be left at any time for a return to the web of today, and 2) the user has historical perspective. Otherwise, through the lens of the program, the experience is the same. This has remarkable curatorial potential in terms of how future historians (or present ones!) can reproduce the past for the public.

Popular Musicians and Archives

I find this discussion of negotiations surrounding Paul Simon’s archives fascinating: mostly because I’m surprised we don’t hear about the archives of popular musicians more often. For musicians like Simon, unpublished material (wheSildenafil citrate is the organic salt that is used after the consultation of professional physician. levitra on line Continue There are so many talents that one possesses either it is in the field of arts and Sciences, said that dysfunctional beliefs, like perceiving greater threat than it buying levitra from canada actually is and getting finicky about things until they become perfect, are core to OCD. So to cure azoospermia is the key in improving males’ fertility ability. cheapest price for levitra Online stores selling counterfeit products do not provide permanent effects and most of them can cause canada viagra prescription impotence. size-medium” src=”http://www.davidbwagner.com/wp-content/uploads/2017/02/BN-RZ241_HOROWI_GR_20170206145935-300×196.jpg” width=”300″ height=”196″ />ther music or text) is big business. Archival material from 1960s rock bands is almost an industry onto itself. How does a humble academic institution compete with commercial interests when a collection of scholarly value (such as Simon’s) goes on the market?

Oral History of the Great Barnum Fire

I find these oral histories of forgotten events extremely valuable, especially when they consider the long-term effects of a loss of collections on the professionals, the public, and researchers. As museums and libraries struggle with shrinking budgets, this story also serves as a cautionary tale regarding the catastrophic effects seemingly minor decisions on storage and environment (compounded by bad luck!) can have on our collections.

 

Emmett Till Memorial Commission at Vanguard of Museum Sites

 

**FILE** An undated portrait shows Emmett Till, a black 14-year-old Chicago boy, who was brutally murdered near Money, Mississippi, Aug. 31, 1955, after whistling at a white woman. On Thursday, March 29, 2007, federal investigators in Chicago released autopsy results and discussed the findings of the investigation with Till’s relatives. (AP Photo/File)

A timely story that discusses the innovative steps taken by the Emmett Till Memorial Commission for a new comprehensive Till online exhibition. Online exhibits have enormous potential that has been largely untapped, and this exhibit promises to offer exciting possibilities for visitors exploring the way sources and memory works.